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【评论】浩然正气 造化古今——读黄建南油画有感

2011-08-22 16:59:51 来源:艺术家提供作者:刘畅
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  黄建南是近年来活跃于中国画坛的职业油画家。与许多画家不同的是黄建南画作没有受院体画的影响,使他保持了原生态,把想要表达的思想都在画中凸现出来,直抒胸臆。他的油画抒发了作者对生活的独特艺术感悟。是中国传统的文化底蕴与西方油画色彩、透视、技法的完美结合。虽然采用西画的载体,骨子里却在探求中国传统绘画之精神,以忘我的情怀达到物我交融的境界,为我们展现着“象外之象”。他成功地嫁接了东西方两种艺术元素,使抽象作品的面貌呈现着东方的诗性。追求的是“景物”与“意境”的酣畅表达,犹如中国泼墨山水的淋漓快意。以《晨曲》、《染》、《曙光》为代表的油画作品是对自然物象进行意象手法的表现,将宇宙乾坤的两大元素,借助空气、光,既有诗歌的简洁大气,同时有诗辞的野逸潇洒,将整幅画面的韵律调到了极致。各种表现手法的大胆应运把自然境象中的动与静,色与光提炼的交映成趣,相得益彰,也就构成黄建南作品的独特佳境,画家不求自然意象的拷贝,而是画家思想情感的真情流露,超凡脱俗。在看画面色与光的精微变化、绘画元素组建与构成,特别是画面意境的表现,给观者是别有一凡滋味在心头,正如王国维的治学三境界“昨夜西风凋碧树,独上高楼,望尽天涯路;衣带渐宽终不悔,为伊消得人憔悴;众里寻她千百度,蓦然回首,那人却在灯火阑珊处"的视觉再现。这在他的作品《蜀山王后》、《光明在即》《五姑娘山银装》中均有上乘的表现。作者把这些因素和谐地统一起来,创作出大量具有诗情画意的美妙作品。他的画表面上看似抒情释怀,描摹物象,实际上是歌有兴志,托物言志。是唯物辨证法的对立与统一,与中国传统诗词辞曲的意境相辅相成,相互借鉴,写足了每幅画的意韵。他的这种绘画特点,正是文化艺术的返朴归真,也是真性自我的体现,正因如此,才使黄建南的油画雍容典雅,韵味荡漾。总之,黄建南的油画使人真正体会到郑板桥所言“画到神情缥缈处,更无真相有真魂。

  Seas of Rightness to Contribute the people Permanently

  ----After Enjoying Mr. Huang’s oil painting, Liuchang

  Jian nan, Huang is a professional oil painter who is active in the painting field of China. Currently, quite different from most painters, his arts are original and natural. He expresses his feelings and thoughts through his paintings which haven’t been effected by other’s forms of paintings. Together with his oil paintings, which shows the unique understanding of art of life. Besides, this method is perfectly united the color, clairvoyance techniques of Western oil painting with Chinese traditional culture. Although he uses the form of Western paintings, from the deep inside, we can see that he’s exploring the spirit of Chinese traditional paintings. Owing to the virtue of forgetting himself to reach the state of melting things and people in order to present the phenomena beyond the paintings. He successfully combines the two art elements both of Eastern and Western, to pop out the Eastern character of the property of poem. For pursuing fluently expression of sightseeing and imagism. Like vivid Chinese Traditional paintings of landscape. Taking Morning Melody, Dying, Glories paintings for examples, which show the methods of expressing the nature through its spirits. Using the space and universe, two elements, along with air, sunshine, which own either simplicity, spectacular of the form of poem, or wildness handsome of the words of poems. So that to adjust perfectly tunes of the whole painting. The union of dynamic and static of nature, and the union of color and light, by the means of all kinds of expressive techniques. So they form the unique spirit of Huang’s arts. Artists won’t easily copy the nature, while they express the true feelings of Huang, the exceptional. And see the merely changes between color and glory of the oil paintings, the construction and consisting of paintings elements, especially the spirit of paintings, which offers us a kind of freshness. As Three Methods of Learning of WangGuowei (a poet of Song Dynasty of China) goes, the green trees faded away by the West wind last night, I climbed up the high tower lonely and saw the roads as far as possible; I didn’t regret forgetting to take off the clothes, for the beauty who I was lovesick with and even broken down; I search for her among millions of people time and time again, but in a sudden glance, she is just in the near gloomy light. This kind of methods appeared successfully in various of works, such as The Queen of Shu Mountain, The Sun Begins to Rise, The Silver Suit for Five Beauties in Mountain. Mr. Huang put these elements in harmony, so that he’s created many works of the property of poem. Apparently from his oil paintings, as if he expresses his feelings and imitates the nature, but in fact, he uses the songs to express his feelings, and scenery to express his ideals, which is the contradiction and union of materialistic and dialectic. And along with the spirit of Chinese traditional poems, songs and phraseology, they impact one another to fully exhibit the spirit of each painting. His way of painting is best answer to explain the theory of art, go back to the nature and embody himself. Owing to this, Jian nan,Huang’s works are graceful and favor is waving.

  All in all, Huang’s oil paintings make people realized what Ban Qiao, zheng (a Chinese traditional painter, in Qing Dynasty) said, expression in the painting is so ambiguous that only soul left without the outline.

该艺术家网站隶属于北京雅昌艺术网有限公司,主要作为艺术信息、艺术展示、艺术文化推广的专业艺术网站。以世界文艺为核心,促进我国文艺的发展与交流。旨在传播艺术,创造艺术,运用艺术,推动中国文化艺术的全面发展。

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